Meir Shalev es uno de los novelistas más célebres de Israel. Sus obras se distinguen por un estilo narrativo único que combina magistralmente humor, tragedia y una profunda visión de la psique humana. A menudo explora temas como la memoria, la familia y las complejidades de la sociedad israelí, creando historias ricas en imágenes vívidas y lenguaje evocador.
Itamar, ein äußerst gutaussehender Mann, lebt in den USA und kommt jedes Jahr zurück nach Israel, um seinen Bruder Boas zu sehen. Wie es ihre Tradition ist, verbringen die Brüder einen Abend zusammen, trinken und erinnern sich an die Eltern. Doch diesmal erzählt Itamar Boas von seiner Nacht mit einer Frau, die ihn in ihr Haus zwischen Olivenhainen gelockt und in ein vertracktes erotisches Spiel verwickelt hat. Eine überraschende Geschichte über Familie und Verstrickung, Liebe und Sehnsucht, Schönheit und Einsamkeit, Begehren und Widerstreit.
"A joyful round of the seasons in the garden of the best-selling novelist, memoirist, and champion putterer with a wheelbarrow. On the perimeter of Israel's Jezreel Valley, with the Carmel Mountains rising up to the west, Meir Shalev has a large garden, "neither neatly organized nor well-kept," as he cheerfully explains. Often covered in mud and scrapes, Shalev cultivates both nomadic plants and "house dwellers," using his own quirky techniques. He extolls the virtues of the lemon tree; rescues a precious variety of purple snapdragon from the Jerusalem-Tel Aviv highway; does battle with a saboteur mole rat. He even gives us his superior private recipe for curing olives. The book will attract gardeners and literary readers alike, with its appreciation for the joy of living, quite literally, on earth, and for our borrowed time on a particular patch of it--enhanced, the author continually reminds us, by our honest, respectful dealings with all manner of beings who inhabit it with us"-- Provided by publisher
Um sein Haus im Norden Israels hatte Meir Shalev einen Garten – mit lauter wilden Blumen, Sträuchern und Bäumen, die er liebevoll hegte und pflegte. Jede Pflanze, die heranwuchs, jedes Tier, das ihm im Garten begegnete, löste Gedanken, Erinnerungen, Geschichten über Natur und Kulinarik aus, über Geschichte und Gegenwart, Mensch und Kreatur, Liebe und Literatur. Ein Selbstporträt des Künstlers als Gärtner, voller Lebensweisheit und Humor.
Auge um Auge, Zahn um Zahn – ein Roman über Leidenschaft und Untreue, über Verlust, Rache und deren Sühne. Die Familie Tavori betreibt im Norden Israels in der dritten Generation eine Gärtnerei. Sie sind Menschen, die ihren Instinkten und Emotionen folgen: ihrer Liebe ebenso wie ihrem Hass. Eine erschütternde Familiensaga und ein unkonventioneller literarischer Thriller von archaischer Wucht.
From the author of the acclaimed novel A Pigeon and a Boy comes a charming tale of family ties, over-the-top housekeeping, and the sport of storytelling in Nahalal, the village of Meir Shalev’s birth. Here we meet Shalev’s amazing Grandma Tonia, who arrived in Palestine by boat from Russia in 1923 and lived in a constant state of battle with what she viewed as the family’s biggest enemy in their new land: dirt. Grandma Tonia was never seen without a cleaning rag over her shoulder. She received visitors outdoors. She allowed only the most privileged guests to enter her spotless house. Hilarious and touching, Grandma Tonia and her regulations come richly to life in a narrative that circles around the arrival into the family’s dusty agricultural midst of the big, shiny American sweeper sent as a gift by Great-uncle Yeshayahu (he who had shockingly emigrated to the sinful capitalist heaven of Los Angeles!). America, to little Meir and to his forebears, was a land of hedonism and enchanting progress; of tempting luxuries, dangerous music, and degenerate gum-chewing; and of women with painted fingernails. The sweeper, a stealth weapon from Grandpa Aharon’s American brother meant to beguile the hardworking socialist household with a bit of American ease, was symbolic of the conflicts and visions of the family in every respect. The fate of Tonia’s “svieeperrr”—hidden away for decades in a spotless closed-off bathroom after its initial use—is a family mystery that Shalev determines to solve. The result, in this cheerful translation by Evan Fallenberg, is pure delight, as Shalev brings to life the obsessive but loving Tonia, the pioneers who gave his childhood its spirit of wonder, and the grit and humor of people building ever-new lives.
Dans le mochav de Nahalal, une coopérative agricole de Galilée, on considere
que l'oncle Yeshayahou est un traître. Car il est parti en Amérique et le pays
du capitalisme est mal vu par cette communauté juive d'origine russe. Mais
l'oncle Yeshayahou a un plan diabolique. Il connaît l'obsession pour la
propreté de Tonia, la grand-mere du narrateur, et lui envoie le tout dernier
modele d'aspirateur General Electric. Un sweeper qui deviendra le moteur des
histoires familiales, des tensions intergénérationnelles et des anecdotes les
plus folles. Il est des récits incroyables qui naissent pourtant d'un terreau
réel. Avec un humour jouissif, Meir Shalev nous plonge dans son
invraisemblable histoire familiale et nous dévoile les ambiguités de la
société israélienne naissante.
Im Anfang war das Wort. Aber wer gab wem den ersten Kuss? Worüber wurde zum ersten Mal gelacht, zum ersten Mal geweint? Wer empfand den ersten Hass? Wovon handelte der erste Traum? Meir Shalev spürt in der Bibel den ersten Malen nach mit überraschenden Ergebnissen."
A mesmerizing novel of two love stories, separated by half a century but connected by one enchanting act of devotion—from the internationally acclaimed Israeli writer Meir Shalev. During the 1948 War of Independence—a time when pigeons are still used to deliver battlefield messages—a gifted young pigeon handler is mortally wounded. In the moments before his death, he dispatches one last pigeon. The bird is carrying his extraordinary gift to the girl he has loved since adolescence. Intertwined with this story is the contemporary tale of Yair Mendelsohn, who has his own legacy from the 1948 war. Yair is a tour guide specializing in bird-watching trips who, in middle age, falls in love again with a childhood girlfriend. His growing passion for her, along with a gift from his mother on her deathbed, becomes the key to a life he thought no longer possible. Unforgettable in both its particulars and its sweep, A Pigeon and A Boy is a tale of lovers then and now—of how deeply we love, of what home is, and why we, like pigeons trained to fly in one direction only, must eventually return to it. In a voice that is at once playful, wise, and altogether beguiling, Meir Shalev tells a story as universal as war and as intimate as a winged declaration of love.
The absorbing first novel by one of Israel's most important and acclaimed contemporary writers focuses on four idealistic early settlers of the modern state of Israel. Set in a small rural village prior to the creation of the State of Israel, this funny and hugely imaginative book paints an extraordinary picture of a small community of Ukrainian immigrants as they pioneer a new life in a new land over three generations. Narrated by Baruch, a grandson of one of the founding fathers of the village, this lyrical novel transcends time and place by touching on issues of universal relevance, showcasing the skill of a master storyteller who never fails to entertain.
