Festschrift für Georg Roeber
- 764 páginas
- 27 horas de lectura
This comprehensive work explores various dimensions of copyright law across different contexts, including film, music, and publishing. It addresses the evolution from income rights to publishing rights and examines the legal frameworks surrounding audiovisual works in Hungary. The text delves into the rights of film producers, the protection of artists in France, and the implications of personal use reproductions. It discusses the scope of artistic performance protection, copyright issues in film reporting in Austria, and the definition of authorship. Key topics include the potential crisis in international copyright law, unauthorized satellite retransmissions, and the deeper significance of copyright in relation to collecting societies. The book also critiques commercial art production and constitutional amendments affecting fundamental principles. It raises questions about electronic music copyright, the legal status of stage directors, and current issues in Swedish copyright law. Additionally, it covers the implications of the new international regime for cinematographic works, re-importation of media, and compensation alongside injunctions. The latest Greek jurisprudence, the interplay between copyright and personality rights, and the system of compulsory licenses in international agreements are also examined. The text concludes with discussions on collective works, contractual obligations in publishing, and the balance
