A group of inventive kids launches a website to help others find answers to their questions. When a visitor inquires about the true meaning of Christmas, they embark on a journey through Old Testament prophecies. Their exploration uncovers a captivating narrative revealed through a series of "S" words. Featuring imaginative characters, witty dialogue, and engaging music, this children's Christmas musical promises an enjoyable performance experience for kids.
The first numbered symphony by Prokofiev was largely composed during a retreat from the turmoil of Petrograd amidst the February revolution. Drawing inspiration from Haydn and Mozart, it showcases a clear and light orchestration reminiscent of Mozart's style. The symphony was completed on September 10, 1917, and premiered on April 18, 1918, with Prokofiev himself conducting the newly established State Orchestra, previously the Tsar's Court Orchestra.
Sergey Prokofiev: Diaries 1907-1914: Prodigious Youthis an inexhaustibly rich
portrait of one of the most vibrantperiods in the whole of Western
Art,indispensable for all lovers of Prokofiev.
(Piano Solo). Sergei Prokofiev composed the twelve character pieces of the Musiques d'enfants in the summer of 1935. The pieces are an ideal introduction to the world of great piano literature of medium difficulty, especially for young musicians. Each piece in this suite has a different character: from the enchanting sunrise to the cheeky march, the result is an alternation of moods, a colorful sequence of images of a summer's day. Clever fingerings and imaginative tips for rehearsing guarantee success when practicing.
Prokofiev, a compulsive diarist, gifted and idiosyncratic writer, possessed an incorrigibly sardonic curiosity about individuals and events. When he left Russia following the 1917 Revolution, his diaries were recovered from the family flat in Petrograd and later hidden (at considerable personal risk by Myaskovsky). Prokofiev himself smuggled them out of the country after his first return to the Soviet Union in 1927. The later diaries, written in the West, were brought back by legal decree after the composer's death, to be kept in a special, inaccessible section of the Russian State Archive. Eventually Prokofiev's son Sviatoslav was allowed to transcribe the voluminous contents; when he and his son Sergei eventually emigrated to Paris they undertook the gigantic task of reproducing the partially encoded manuscript in an intelligible form. Volume 1 covers the bulk of the Prokofiev's years at the St. Petersburg Conservatoire ending with his triumphant graduation. Simultaneously attached to and exasperated by the traditions exemplified at this time by such famous men as Rimsky-Korsakov, Glazunov, Lyadov, Tcherepnin, the relentlessly brash young genius relishes the power of his talent to irritate, challenge and finally overcome the establishment, alongside unusually candid revelations of the all-too-normal preoccupations of a young man flexing his muscles in society. Taken as a whole, the Diaries represent an inexhaustibly rich portrait of one of the most vibrant periods in the whole of Western art, peopled by virtually every musician and artist of note. They constitute both an indispensable and an entertaining source of reference for all scholars and lovers of Prokofiev's music.
Román je koncipován jako fiktivní memoáry ze 16. století, jejichž hrdinou je univerzitní student a později landsknecht, člověk světaznalý a talentovaný. 2. vydání Na obálce použito detailu obrazu Svatý Antonín Matthiase Grünewalda.
