Yiyun Li Orden de los libros (cronológico)

'Any new book by Yiyun Li is a cause for celebration' Sigrid Nunez 'One of our finest living authors' New York Times

'A dazzling, subtle, skilful knockout - I loved it' Charlotte Mendelson'One of the great writers of our time' Tash Aw'Wonderfully strange and alive' Jon McGregorA propulsive, seductive new novel about friendship, exploitation and intimacy from the prize-winning author of Where Reasons End

A reader's companion for Tolstoy's epic novel, War and Peace, inspired by the online book club led by Yiyun Li. For the writer Yiyun Li, whenever life has felt uncertain, War and Peace has been the novel she turns to. In March 2020, as the pandemic tightened its grip, Li and A Public Space launched #TolstoyTogether, a War and Peace book club, on Twitter and Instagram, gathering a community (that came to include writers such as Joyce Carol Oates, Garth Greenwell, and Carl Phillips) for 85 days of prompts, conversation, succor, and pleasure. It was an experience shaped not only by the time in which they read but also the slow, consistent rhythm of the reading. And the extraordinary community that gathered for a moment each day to discuss Tolstoy, history, and the role of art in a time like this. Tolstoy Together captures that moment, and offers a guided, communal experience for past and new readers, lovers of Russian literature, and all those looking for what Li identifies as "his level-headedness and clear-sightedness offer[ing] a solidity during a time of duress.

Lilia Liska is eighty-one. She has shrewdly outlived three husbands, raised five children and seen the birth of seventeen grandchildren. Now she has turned her keen attention to a strange little book published by a vanity press- the diary of a long-forgotten man named Roland Bouley, with whom she once had a fleeting affair. Drawn into an obsession over this fragment of intimate history, Lilia begins to annotate the diary with her own, rather different version of events. Gradually she undercuts Roland's charming but arrogant voice with her sharply incisive and deeply moving commentary. She reveals to us the surprising, long-held secrets of her own life. And she returns inexorably to her daughter, Lucy, who took her own life at the age of twenty-seven. How does the past shape the future? How do we live in the face of the unanswerable? Must I Go considers these questions underlying an extraordinary life, exploring both the painfully finite nature of human life and the infinite depths of human beings.

'Days- the easiest possession. The days he had refused would come, one at a time. They would wait, every daybreak, with their boundless patience and indifference, seeing if they could turn me into an ally or an enemy to myself.' A woman's teenage son takes his own life. It is incomprehensible. The woman is a writer, and so she attempts to comprehend her grief in the space she knows best- on the page, as an imagined conversation with the child she has lost. He is as sharp and funny and serious in death as he was in life, and he will speak back to her, unable to offer explanation or solace, but not yet, not quite, gone. Taking the form of a dialogue between mother and son, Where Reasons End is an extraordinary portrait of parenthood, in all its painful contradictions of joy, humour and sorrow, and of what it is to lose a child.

Yiyun Li's searing personal story of hospitalizations for depression and thoughts of suicide is interlaced with reflections on the solace and affirmations of life and personhood that Li found in reading the journals, diaries, and fiction of other writers. From William Trevor and Katherine Mansfield to Kierkegaard and Larkin, Yiyun Li traces the themes that have preoccupied these writers and herself: time and transformation, presence and absence, the impulse to abandon life and the impulse to carry on. Drawing on personal experiences - her unstable mother, her time in the Chinese army - she constructs a beautiful, interior exploration of selfhood and what is required to choose life.

Peking, Ende der achtziger Jahre: Drei ungleiche Freunde wachsen im gleichen Häuserblock auf. Ruyu, ein streng katholisch erzogenes Waisenmädchen aus der Provinz, und die wohlhabenden, aber vernachlässigten Boyang und Moran. Doch als eine weitere Freundin, Shaoai, vergiftet wird und ins Koma fällt, geht ihre Freundschaft auseinander. Shaoai hatte mit dem Tiananmen-Aufstand sympathisiert, der Vorfall wird nicht geklärt. Boyang macht danach im modernen China als Geschäftsmann Karriere und bleibt doch ähnlich heimatlos wie Ruyu und Moran nach ihrer Emigration in die USA. Als nach zwanzig Jahren die Nachricht vom Tod Shaoais kommt, holt sie alle die verdrängte Vergangenheit wieder ein.

The oldest written story on Earth, retold for children

In "Gold Boy, Emerald Girl," Yiyun Li weaves captivating stories that explore the human condition through the lens of politics and folklore. From complex relationships to a unique investigative agency in Beijing, her lyrical prose paints a vivid landscape of life, blending the strange with the familiar.

In the provincial town of Muddy Waters in China, a young woman named Gu Shan is sentenced to death for her loss of faith in Communism. She is twenty-eight years old and has already spent ten years in prison. The citizens stage a protest after her death and, over the following six weeks, the town goes through uncertainty, hope and fear until eventually the rebellion is brutally suppressed. They are all taken on a painful journey, from one young woman's death to another. We follow the pain of Gu Shan's parents, the hope and fear of the leaders of the protest and their families. Even those who seem unconnected to the tragedy - an eleven-year-old boy seeking fame and glory, a nineteen-year-old village idiot in love with a young and deformed girl, an old couple making a living by scavenging the town's garbage cans - are caught up in a remorseless turn of events. Yiyun Li's novel is based on the true story which took place in China in 1979.