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Bernhard Reitz

    Race and religion in contemporary theatre and drama in English
    Proceedings / Anglistentag 1999 Mainz
    Crossing borders
    What revels are in hand?
    British drama of the 1990s
    "My age is as a lusty winter"
    • "My age is as a lusty winter"

      • 313 páginas
      • 11 horas de lectura

      This collection of essays expresses the contributors’ wish to honour the impressive competence and the untiring commitment of Peter Erlebach and Thomas Michael Stein in British Studies. Both are professors in the Department of English and Linguistics at the Johannes Gutenberg-University in Mainz, where they have been teaching for more than three decades. As academic teachers and scholars they have not only contributed to the profile of their university and enhanced British Studies in Germany, their research has also been acknowledged internationally. The essays included in this volume mirror the breadth and the depth of Peter Erlebach’s and Thomas Michael Stein’s teaching and research. Paying tribute to the major genres of literature, the sections on prose, poetry and drama shed new light on seminal works by both British and American writers, while the multiplicity of the scholarly approaches reflects the diversity of contemporary British and American Studies. Tribute to the fact that texts are language in print is paid by the linguistic contributions to this volume – they range from the influence of ancient Egyptian texts on word-formation to the intricacies of English as it is spoken in the 21st century.

      "My age is as a lusty winter"
    • British drama of the 1990s

      • 203 páginas
      • 8 horas de lectura

      Contents: - Klaus-Peter Müller: Political Plays in England in the 1990s. - Mark Berninger: Variations of a Genre. The British History Play in the Nineties. - Mary Luckhurst: An Embarrassment of Riches. Women Dramatists in the 1990s Britain. - Heiko Stahl: 'There ain't no black in the Union Jack' vs 'England is de place for me'. Black Women Playwrights in Britain in the 1990s. - Christopher Innes: Science on the Stage. - Aleks Sierz: In-Yer-Face Theatre. Mark Ravenhill and 1990s Drama. Graham Saunders: The Apocalyptic Theatre of Sarah Kane. - Michael Raab: 'Post-feminist masculinity and all that shit'. Patrick Marber's Closer in London and Munich.- Raimund Borgmeier: 'Convergences of different threads'. Tom Stoppard's The Invention of Love (1997). Bernhard Reitz: "just wouldn't want to be at the other end of his anger". Harold Pinter's political Plays of the Nienties. - Heiner Zimmermann: Howard Barker in the Nineties.

      British drama of the 1990s