Stephen Spender creó versos apasionados y líricos, imbuidos de la imaginería del mundo industrial moderno pero de un alcance intensamente personal. Sus escritos profundizan en el clima político y social de su época, particularmente en la década de 1930, ofreciendo críticas literarias y sociales perspicaces. Spender fue también un generoso defensor de los talentos emergentes y desempeñó un papel fundamental en la cofundación de Index on Censorship, dedicada a promover la libre expresión de escritores perseguidos a nivel mundial.
Reordering the thematic principle of the 1985 Collected Poems, this edition returns to a book-by-book chronology and allows the reader to experience, for the first time, the full development and range of his career.
Poems Written Abroad is the first-ever publication of the earliest collection of poetry by the famous poet, novelist, literary critic, translator, and radical, Sir Stephen Spender (1909-1995).
Stephen Spender and David Hockney's illustrated diary of the trip they took together to China takes in not just the famous sites - the Great Wall, the Temple of the jade Buddha, the magical landscape of Kweilin but the unexpected incidents of everyday Chinese life. And both discuss their meetings with contemporary Chinese poets and painters. Hockney's photographs, drawings and watercolours are a unique revelation of China, while Spender discourses in rich prose. Together they provide a glimpse of this ever-mysterious land.
Stephen Spender, the son of a journalist, was born in London in 1909. His post-war memoir World within World was recognised as one of the most illuminating literary autobiographies to have come out of the 1930s and 1940s, distilling a distinctively personal, humanistic socialism.
This novel by the young Stephen Spender was written as an experiment in 1930 but abandoned in draft and forgotten until rediscovered by a researcher. Believed to be autobiographical, it tells the story of a young English poet on vacation in Hamburg in 1929 and his response to the Weimar world.
Virtually from its first appearance in 1951, this book was considered one of the most illuminating literary autobiographies to have come out of the 1930s and 40s. In writing it the author was concerned with the themes of love, poetry, politics, the life of literature, childhood, travel and the development of certain attitudes towards moral problems. He relates these personal themes to the background of public and private events in this period of his life. This book provides an intimate and deeply felt commentary on the relationship between literature and politics in England and Germany during these years. In the course of the book there are portraits of Virginia Woolf, W.B. Yeats, T.S. Eliot, Lady Ottoline Morrell, W.H. Auden, Christopher Isherwood and others.
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