Istva n. Bart Libros

English (translation)Original Hungarian

Das Buch mit dem gewollt an Kolportage erinnernden Titel ist kein Liebesroman um den Selbstmord des österreichischen Kronprinzen, sondern ein Versuch, die banale Realität einem Mythos gegenüberzustellen. Der Autor erhebt daher auch nicht den Anspruch, die x-te Lösung des Rätsels von Mayerling gefunden zu haben. Nichtsdestoweniger bringt er Neues, nämlich die Entstehungsgeschichte einer Legende. Der ironisch-kritische Unterton, der das Buch durchzieht, macht die Lektüre auch unterhaltsam. Zu bedauern sind Übersetzungsfehler sowie das Fehlen eines Literaturnachweises, denn laut Klappentext hat Bart Tagebücher, Memoiren, Gerichtsakten und Briefe verwertet. - Eine Ergänzung zu Camillo Schäfer "Mayerling" (ID 7/88). (3)

Bert Stern's "Last Sitting" photographs of Marilyn Monroe enter a dialogue with Norman Mailer's rigorous biography of the actress in this virtuoso publication. The fusion of image and text makes for an intimate portrait of an infamously enigmatic woman; a celebrity who shone even in tragedy. In this bold synthesis of literary classic and...

A young and ambitious writer named Jerome David Salinger aimed high early in his career, yearning to publish in The New Yorker, which he viewed as the pinnacle of American literature. However, it took several years and the duration of a world war before he achieved this goal. The New Yorker, known for its selective tastes, was not ready for Salinger's brash style and cynical worldview. Instead, other magazines recognized his talent during a tumultuous time. Story magazine was the first to publish Salinger’s work, featuring “The Young Folks” in 1940. This story offers a glimpse into New York’s cocktail society, showcasing a conversation between two young people that is largely meaningless. His next story, “Go See Eddie,” appeared in The University of Kansas City Review, depicting a tense encounter where a male character pressures a young woman to meet Eddie, notable for its omitted backstory—a technique reminiscent of Hemingway. Later, as Salinger neared the end of his wartime experience, “Once A Week Won’t Kill You” was published in Story magazine. This story, about a soldier informing his aunt of his deployment, can be interpreted as a metaphor for preparing loved ones for potential loss. Devault-Graves Digital Editions proudly presents this anthology by one of America’s most innovative authors.