Textbewegungen 1800/1900

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This collection explores the dynamic interplay between text, movement, and meaning across various literary and artistic contexts. The contributions delve into theories of text movement, examining the intersection of prose and poetry, as well as the relationship between letters and numbers. Key discussions include the concept of textual performativity, drawing on Julia Kristeva's theories and the semiotics of paragrams. The analysis of Musil's fragmented narrative and the iconic movements in Pollaiuolo's artwork reveal historical semantics and the aesthetic category of movement in the late 18th century. The influence of Kant on the notion of the animated artwork is also considered, alongside the interplay of plastic and linguistic forms in the works of Herder and Brentano. The collection further addresses the integration of natural science and poetry in the context of 19th-century literature, with a focus on Kleist's "Penthesilea" and the mobilization of literary and political bodies. The exploration of circularity in Hogg's narrative and the communicative networks in Eichendorff's works highlight the connections between poetry and storytelling. Finally, the examination of Nietzsche's philosophical reflections, Joyce's performative elements, and Rilke's sound poetry underscores the evolving nature of literary expression and its inherent dynamism.