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Desire and avoidance in art

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  • 211 páginas
  • 8 horas de lectura

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Desire and Avoidance in Art explores the impact of early developmental traumas on male artists, highlighting how these experiences can fuel creative endeavors while simultaneously leading to destructive relationships with women. Brink employs personality formation theories from notable psychologists to delve into psychobiography, particularly focusing on the concept of "anxious attachment" in mother-infant relationships. By examining the childhood experiences of various artists, he identifies the anxious-avoidant attachment style that contributes to their complex dynamics with women. Brink seeks to explain the often hazardous and tragic nature of these partnerships, drawing on insights from feminist writers to extract psychodynamic explanations rooted in the artists' imagery. He demonstrates how attachment theory enhances understanding of the fraught interactions between the sexes. The analysis centers on culturally significant artists like Picasso, Bellmer, Balthus, and Cornell, whose work invites critical discussions about misogyny within their social contexts. Through this lens, Brink sheds light on the intricate interplay between creativity and relational challenges faced by male artists.

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Desire and avoidance in art, Andrew Brink

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Publicado en
2007
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