Schiller und die Antike

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This collection features a series of essays exploring the intricate relationship between Friedrich Schiller and ancient Greek tragedy, alongside other classical influences. Contributions include discussions on Schiller's interpretation of Roman tragedies, reflections on the connections between Schiller, Hölderlin, and classical themes, and analyses of Schiller's ballads in the context of ancient and modern paradigms. The essays delve into Schiller's adaptation of Euripides' "Iphigenie in Aulis," examining its role as a quintessential example of classicism. Further exploration includes Schiller's "Die Braut von Messina," addressing its radical formal return in response to contemporary cultural syncretism. The volume also investigates the correspondence between Schiller and Nietzsche, the emotional modeling in "Wallenstein," and the influence of Plutarch on Schiller's works. Discussions on modern rights and ancient myths in "Wilhelm Tell" highlight matriarchal resonances, while analyses of Schiller's lyrical engagement with antiquity and the dialectic of ancient and modern aesthetics are presented. The essays culminate in an exploration of visual culture in Schiller's work, particularly in relation to Pompeii and Herculaneum, providing a comprehensive view of Schiller's engagement with classical themes and their relevance to modernity.