Jenseits von Frisch und Dürrenmatt

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H.-G. von Arburg explores the interplay of historical and futuristic themes in Swiss literature, while N. Bakshi examines intertextual and intermedial overlaps. Gerhard Meier delves into Tolstoy's reception, and R. Charbon analyzes the concepts of time and space in Max Frisch's "Der Mensch erscheint im Holozän." L. Eilittä discusses new identity spaces in Swiss migration literature, and A.-M. Gresser connects spatial design with temporal aspects in Christian Haller's work. G. Heidemann reflects on photographic snapshots in Peter Stamm's novel, and M. Isabel Hernández investigates the South as a setting in contemporary Swiss literature. J. Jabłkowska addresses the theme of constriction in post-war Swiss literature, while D. Komorowski looks beyond details in Matthias Zschokke's artistic universe. V. Kondri considers spatial movement as a form of escape, and W. Kunicki highlights the fantastical elements in Christoph Simon's works. L. Eilittä further discusses multicultural identity in Swiss migration literature, and D. Müller examines Jewish life in Switzerland through works by Kurt Guggenheim and Charles Lewinsky. M. T. Oliveira analyzes spatial designs in Pascal Mercier's "Nachtzug nach Lissabon," while A. Pełka explores water landscapes in Christoph Geiser's literature. O. Marti Peña addresses themes of emptiness and isolation in Peter Stamm's "Blitzeis." M. Pender studies childhood representations in recent Swiss literature