Heinrich Heine

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This collection features a series of essays exploring Heinrich Heine's significant role in modern European literature and his unique literary style. P. U. Hohendahl discusses Heine's transitional position, while P. Chiarini examines Heine's early essay, "Die Romantik," in the context of literary training and critical-social romanticism. G. Höhn presents Heine's aesthetic contrasts and his innovative writing program, and G. Oesterle analyzes the blend of folk and conversational tones in "Buch der Lieder." T. Dembeck investigates Heine's relationship with the romantic school and popular culture. D. von Wietersheim delves into the symbolic dance and pantomime in "Florentinische Nachte." A. Stasková reflects on Heine's portrayal of death within a moralistic tradition, while F. Cambi explores the discontinuous poetics in Heine's autobiographical writings. M. Rispoli discusses Heine's engagement with the bourgeois public sphere, and L. Zagari addresses the crisis of lyrical language in Heine's work. Other contributions include S. Moses on the poetics of humor, P. Chiarini contrasting Heine with Ludwig Borne, and A. Destro examining Heine's modern religiosity. The collection also features discussions on Heine's critique of idealism, the Julimonarchy's executions, erotic writing, and Hannah Arendt's interpretation of Heine.