Wagners Siegfried und die (post-)heroische Moderne

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This collection of essays explores the multifaceted themes surrounding the character of Siegfried and his representation in modern contexts. The introduction by T. Janz sets the stage for a deep dive into heroism, with M. Meier examining the connections between Siegfried, Wagner, and ancient notions of heroism. N. Henkel provides insights into Wagner's interpretation of the Nibelungen, reflecting the 19th-century medieval memory. M. Geck discusses the transition from grand narratives to postmodern deconstruction in Wagner's 'Ring,' while D. Thomä portrays Siegfried as a hero in conflict with history. R. Klein analyzes the political dimensions in Wagner's 'Götterdämmerung,' and U. Tadday highlights the plurality of modernity through Wagner's reception in the Grenzboten. U. Bermbach delves into the reception history of Siegfried in relation to the Bayreuth idea. Further contributions explore Siegfried's dramaturgy, aesthetic experiences in the 'Waldweben,' and the interplay of visible and invisible music on stage. Discussions on masculinity, the complexities of Siegfried's character, and innovative interpretations in contemporary media enrich the discourse. The essays collectively illuminate the intricate relationships between music, narrative, and cultural identity in Wagner's work.