Blue, red and green

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Swiss conceptual artist Tobias Spichtig work is based on the overwhelming presence of the media, the continuous availability of information and how they interact to contribute to the dissolution of time. Divided into a text booklet and an image book, the exhibition catalog features essays and an artist conversation. The image book highlights the phenomena of perception, focusing on the tools built to capture moments and memories in this case hundreds of images of cameras taken from assorted auction sites and photographed in a way so as not to re present the aim of these objects, originally built to reveal more than what we are able to see.