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This book explores the intersection of music and Hellenism in nineteenth-century Germany.It shows how productions such as that of the Prussian court of Sophocles' Antigone with music by Felix Mendelssohn reflect an effort by the rulers who commissioned them to appropriate the legacy of Greece for the creation of a German cultural and national identity.
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The politics of appropriation, Jason Geary
- Idioma
- Publicado en
- 2014
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- (Tapa dura)
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