Michael Ende intermedial

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R. Hocke introduces the work, followed by T. Kurwinkel, P. Schmerheim, and A. Sevi providing a biographical overview. Kurwinkel discusses Michael Ende's relationship with film and includes interviews with and about him, such as a discussion on "Der Wunschpunsch" in figurative theater. Bachleitner, Kores, and Weissler explore the artificiality in figurative theater and the adaptation of "Momo," while J.-P. Palmier examines the intermedial adaptability of youth literature through Ende's works. Jakobi analyzes intertextuality in "Momo" and "Das Gauklermärchen." Bach reflects on the narrative and media aspects of Ende's worlds in various formats. Schmerheim addresses the interplay of thought, art, and media in Ende's philosophy. Dömer, Reiter, and Schmidt relate "Momo" to Heidegger's philosophy of time. Lexe discusses Bastian's participatory role in "Die unendliche Geschichte," while Carsten contrasts fiction and reality in both the book and its film adaptation. Heimeshoff and Kugelmann investigate the representation of 'Nichts' in "Die unendliche Geschichte" and its adaptation. Steinhauser presents a musical fable adaptation of "Tranquilla Trampeltreu," and Kores and Weissler analyze the symbolism of the turtle in "Momo." Ludewig explores the intermedial transformations of "Wunschpunsch," and Seidler reviews adaptations of Ende's works in video games.