Handlungsmuster der Gegenwart

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This collection features a series of essays exploring the works of Lukas Bärfuss, highlighting his narrative techniques and thematic concerns. M. Gunreben and F. Marx introduce contemporary patterns of action, while L. Bärfuss discusses transformations within his narratives. C. Steier examines the roles of deception and theatricality in Bärfuss's storytelling. J. Süselbeck analyzes Bärfuss's position in modern literature, focusing on his prose. S. Waldow reflects on the relationship between ethics and narration in "Die toten Männer," while L. Beck investigates the interplay of orality and writing in the context of the Rwandan genocide as depicted in "Hundert Tage." J. Kanning addresses the concept of fabricated testimony and memory in Bärfuss’s works alongside Koeppen’s writings. E. Zimmermann discusses biopolitics in "Koala," and J. Schöll delves into moral and subjective themes in "Die sexuellen Neurosen unserer Eltern." S. Catani critiques the film adaptation of Bärfuss’s work. M. Famula explores themes of suicide in "Alices Reise in die Schweiz," and J. Windrich analyzes "Parzival." A. Schindler discusses the challenges presented in the same narrative. M. Gunreben examines experimental poetics in "Amygdala," while B. Schlüer critiques speciesism in Bärfuss's literary zoo. P. Meilaender and C. van der Steeg reflect on the restoration of arts and nature history, culminating in a conversation between Judith Gerstenberg and Bä