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We need to talk about Kevin

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  • 468 páginas
  • 17 horas de lectura

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WINNER OF THE ORANGE PRIZE FOR FICTION 2005 Two years ago, Eva Khatchadourian?s son, Kevin, murdered seven of his fellow high-school students, a cafeteria worker, and a popular algebra teacher. Because he was only fifteen at the time of the killings, he received a lenient sentence and is now in a prison for young offenders in upstate New York. Telling the story of Kevin's upbringing, Eva addresses herself to her estranged husband through a series of letters. Fearing that her own shortcomings may have shaped what her son has become, she confesses to a deep, long-standing ambivalence about both motherhood in general and Kevin in particular. How much is her fault? Lionel Shriver tells a compelling, absorbing, and resonant story while framing these horrifying tableaux of teenage carnage as metaphors for the larger tragedy - the tragedy of a country where everything works, nobody starves, and anything can be bought but a sense of purpose.

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We need to talk about Kevin, Lionel Shriver

Idioma
Publicado en
2005
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(Tapa blanda),
Estado del libro
Dañado
Precio
2,60 €

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Idioma
Inglés
Publicado en
2005
Formato
Tapa blanda
Páginas
468
ISBN10
1852424672
ISBN13
9781852424671
Serie
Primera publicación
2005
Título original
We Need to Talk about Kevin
Calificación
4,05 de 5
Descripción
WINNER OF THE ORANGE PRIZE FOR FICTION 2005 Two years ago, Eva Khatchadourian?s son, Kevin, murdered seven of his fellow high-school students, a cafeteria worker, and a popular algebra teacher. Because he was only fifteen at the time of the killings, he received a lenient sentence and is now in a prison for young offenders in upstate New York. Telling the story of Kevin's upbringing, Eva addresses herself to her estranged husband through a series of letters. Fearing that her own shortcomings may have shaped what her son has become, she confesses to a deep, long-standing ambivalence about both motherhood in general and Kevin in particular. How much is her fault? Lionel Shriver tells a compelling, absorbing, and resonant story while framing these horrifying tableaux of teenage carnage as metaphors for the larger tragedy - the tragedy of a country where everything works, nobody starves, and anything can be bought but a sense of purpose.