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When We Were Orphans

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When 9-year-old Christopher Banks's father, a British businessman involved in the opium trade, disappears in Shanghai, he and his friend Akira play detectives, imagining grand ceremonies in Jessfield Park. However, when Christopher's mother also vanishes, he is sent to live in England, where he grows up between the world wars, claiming to become a famous detective. Haunted by his family's fate, he sifts through memories to understand his loss. In the late 1930s, he returns to Shanghai to solve the most significant case of his life. As he investigates, the lines between fact and fantasy blur. Is the Japanese soldier he encounters truly Akira? Are his parents really held captive in a Chinese district? Who is Mr. Grayson, the British official planning a significant celebration? As Christopher navigates his past, he grapples with fading recollections and the elusive nature of truth. Ishiguro's first-person narrative reveals cracks in Christopher's restrained prose, suggesting that his perception may not be reliable. This forces readers to become detectives themselves, piecing together the truth from Christopher's memories. The novel's haunting emotional power lies in its controlled imagination and the complexity of its protagonist, making Christopher Banks one of Ishiguro's most memorable characters.

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When We Were Orphans, Kazuo Ishiguro

Idioma
Publicado en
2000
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Título
When We Were Orphans
Idioma
Inglés
Editorial
Faber & Faber
Publicado en
2000
Formato
Tapa blanda
Páginas
313
ISBN10
0571204406
ISBN13
9780571204403
Serie
Primera publicación
2000
Título original
When We Were Orphans
Calificación
3,55 de 5
Descripción
When 9-year-old Christopher Banks's father, a British businessman involved in the opium trade, disappears in Shanghai, he and his friend Akira play detectives, imagining grand ceremonies in Jessfield Park. However, when Christopher's mother also vanishes, he is sent to live in England, where he grows up between the world wars, claiming to become a famous detective. Haunted by his family's fate, he sifts through memories to understand his loss. In the late 1930s, he returns to Shanghai to solve the most significant case of his life. As he investigates, the lines between fact and fantasy blur. Is the Japanese soldier he encounters truly Akira? Are his parents really held captive in a Chinese district? Who is Mr. Grayson, the British official planning a significant celebration? As Christopher navigates his past, he grapples with fading recollections and the elusive nature of truth. Ishiguro's first-person narrative reveals cracks in Christopher's restrained prose, suggesting that his perception may not be reliable. This forces readers to become detectives themselves, piecing together the truth from Christopher's memories. The novel's haunting emotional power lies in its controlled imagination and the complexity of its protagonist, making Christopher Banks one of Ishiguro's most memorable characters.