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Directing

Film Techniques and Aesthetics - Second Edition

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  • 512 páginas
  • 18 horas de lectura

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* A practical and comprehensive manual that dissolves the barriers between the aesthetic and the technical * Common sense theory of film derived from everyday perceptual experience. Directing: Film Techniques and Aesthetics, Second Edition is a comprehensive manual that teaches the essentials of filmmaking from the perspective of the director. Ideal for film production and directing classes, as well as for professionals with sights on the director's chair, Directing covers all stages of production, from idea development to final cut. Thoroughly covering the basics, Directing guides the reader to professional standards of control and goes to the heart of what makes a great director. All the 'how-to' information is unified by a theory that naturally links personal experience and vision to the director's decision making and stresses that understanding one's own emotional and perceptual processes is the key to individuality on the screen and to success with audiences.

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Directing, Michael Rabiger

Idioma
Publicado en
1996
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Título
Directing
Subtítulo
Film Techniques and Aesthetics - Second Edition
Idioma
Inglés
Editorial
Focal Press
Publicado en
1996
Formato
Tapa blanda
Páginas
512
ISBN10
0240802233
ISBN13
9780240802237
Serie
Calificación
4,25 de 5
Descripción
* A practical and comprehensive manual that dissolves the barriers between the aesthetic and the technical * Common sense theory of film derived from everyday perceptual experience. Directing: Film Techniques and Aesthetics, Second Edition is a comprehensive manual that teaches the essentials of filmmaking from the perspective of the director. Ideal for film production and directing classes, as well as for professionals with sights on the director's chair, Directing covers all stages of production, from idea development to final cut. Thoroughly covering the basics, Directing guides the reader to professional standards of control and goes to the heart of what makes a great director. All the 'how-to' information is unified by a theory that naturally links personal experience and vision to the director's decision making and stresses that understanding one's own emotional and perceptual processes is the key to individuality on the screen and to success with audiences.