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The spirit of Prague is difficult to describe, although many have tried. For artists at the turn of the 19th and 20th centuries the city was a black temptress hidden in the négligé of the white mists of the Vltava, a tempting and treacherous woman, a capricious harlot - a dark Salome who dances with the heads of her paramours. In 1902 the French sculptor Auguste Rodin said that Prague is one of the most sublime cities. Approximately thirty years later another Frenchman, the poet André Breton, proclaimed that Prague was the magic capital of old Europe. And in his celebrated book Magic Prague, written in the latter half of the 20th century, the Italian academic Angelo Maria Ripellino wrote when I seek another word for mystery, the only word I can find is Prague. And he described the city as a breeding ground for phantoms, an arena of sorcery … It is a trap which - once it takes hold with its mists, its black arts, its poisoned honey - does not let go, does not forgive.

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Prague, Zdeněk Thoma, Soňa Thomová, Michal Thoma

Idioma
Publicado en
2014
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Título
Prague
Idioma
Inglés
Editorial
Slovart
Publicado en
2014
Formato
Tapa blanda
Páginas
141
ISBN10
8073919141
ISBN13
9788073919146
Serie
Primera publicación
2014
Título original
Praha
Calificación
3 de 5
Descripción
The spirit of Prague is difficult to describe, although many have tried. For artists at the turn of the 19th and 20th centuries the city was a black temptress hidden in the négligé of the white mists of the Vltava, a tempting and treacherous woman, a capricious harlot - a dark Salome who dances with the heads of her paramours. In 1902 the French sculptor Auguste Rodin said that Prague is one of the most sublime cities. Approximately thirty years later another Frenchman, the poet André Breton, proclaimed that Prague was the magic capital of old Europe. And in his celebrated book Magic Prague, written in the latter half of the 20th century, the Italian academic Angelo Maria Ripellino wrote when I seek another word for mystery, the only word I can find is Prague. And he described the city as a breeding ground for phantoms, an arena of sorcery … It is a trap which - once it takes hold with its mists, its black arts, its poisoned honey - does not let go, does not forgive.