Victor Man

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Ripeness is black with Victor Man. His greys and modulated blacks are non-minimalist, anti-hard edge. They are alien to the uniform, pigmentary, black paintings of Motherwell, Kline, Newman, or Still, which originate in a conceptually sensorial take on color. Man?s work also differs from the overlytextured, narcissistic, and self-consciously hand-crafted blacks of Hartung or Soulages. The blue-green-black tones in Victor Man are ?gments rather than pigments. They are reminiscent of the medieval grisaille, that consummate technique for encapsulating a dazzling0Texts: Rachel Corbett, Enzo Cucchi, Erwin Kessler, Karl Holmqvist00Exhibition: Galerie Neu, Berlin, Germany (11.09. - 31.10.2020).