Nothing for it but to Sing

Michael Harlow’s poems are small detonations that release deeply complex stories of psychological separations and attractions, of memory and desire. Frequently they slip into the alluring spaces just at the edges of language, dream and gesture, as they carefully lower, like measuring gauges, into the ineffable: intimations of mortality, the slippery nature of identity, longing, fear … This is a beautifully honed new collection.