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The seemingly effortless integration of sound, movement, and editing in films of the late 1930s stands in vivid contrast to the awkwardness of the first talkies. This book analyzes this evolution via close examination of important prototypes of early sound filmmaking, as well as contemporary discussions of rhythm, tempo, and pacing.
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Film Rhythm after Sound, Lea Jacobsonová
- Idioma
- Publicado en
- 2015
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