Theory of Film Practice

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Focusing on the techniques of the film medium, this classic film theory work explores how these methods can be utilized to create formal structures in notable films. It examines the artistic approaches of directors like Dovzhenko, Antonioni, Bresson, Renoir, and Godard, highlighting the unique ways each filmmaker employs cinematic techniques to enhance storytelling and visual expression. Through detailed analysis, the book reveals the intricate relationship between film form and content.