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Gerlind Zeilner

Parámetros

  • 140 páginas
  • 5 horas de lectura

Más información sobre el libro

The Austrian artist Gerlind Zeilner is interested in the ambivalence within painting towards cliché-like picture ideas influenced by a male-dominated art history. In her structurally significant and fragile, broken virtuosity, Zeilner works on figurative-abstract pictorial spaces full of critical and colorful hints about being a female painter among painters-like from women among men. In sociable scenes of being together and experiencing fictional western and real artist bars, heroic and exaggerated male gestures with a special structure of colors and shapes tend to be questioned critically and humorously and refreshed, for example in an engagement around bar pictures with Nicole Eisenman, Jörg Immendorff or Henri de Toulouse-Lautrec. In more recent works, she turns increasingly to inherent questions of painting and her specific relationship as an artist, which in "studio pictures" leads to a discussion of her immediate surroundings or the processing of various architectures. In doing so, she skillfully plays with a kind of provisionality and incompleteness within painting.

Compra de libros

Gerlind Zeilner, Jurriaan Benschop

Idioma
Publicado en
2020
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Título
Gerlind Zeilner
Idioma
Inglés, Alemán
Editorial
VfmK
Publicado en
2020
Formato
Tapa dura
Páginas
140
ISBN10
3903320900
ISBN13
9783903320901
Serie
Descripción
The Austrian artist Gerlind Zeilner is interested in the ambivalence within painting towards cliché-like picture ideas influenced by a male-dominated art history. In her structurally significant and fragile, broken virtuosity, Zeilner works on figurative-abstract pictorial spaces full of critical and colorful hints about being a female painter among painters-like from women among men. In sociable scenes of being together and experiencing fictional western and real artist bars, heroic and exaggerated male gestures with a special structure of colors and shapes tend to be questioned critically and humorously and refreshed, for example in an engagement around bar pictures with Nicole Eisenman, Jörg Immendorff or Henri de Toulouse-Lautrec. In more recent works, she turns increasingly to inherent questions of painting and her specific relationship as an artist, which in "studio pictures" leads to a discussion of her immediate surroundings or the processing of various architectures. In doing so, she skillfully plays with a kind of provisionality and incompleteness within painting.