Más información sobre el libro
Painting about Painting. Thomas Arnolds (b. Gelsenkirchen, 1975; lives and works in Cologne) makes art that probes central concerns of painting. Trained as a stonemason and church restorer, he has built a multifaceted oeuvre encompassing both monochrome works that evince recurrent color symbolisms and a series of figurative motifs including interiors, everyday articles, and architectures. A graduate of Walter Dahn's master class, Arnolds surveys diverse subjects and visual dimensions to explore the prerequisites and possibilities of painting. Rather than aim for a strictly linear evocation and evaluation of the medium's conditions, he charts a meandering course amid its potentials. The monograph is dedicated to a synoptic presentation of diverse series of works with their inner logic as well as peculiarities and divergences. With a conversation with the artist by Markus Mascher and Carolin Scharpff-Striebich and an essay by Larissa Kikol.
Compra de libros
Thomas Arnolds, Markus Mascher
- Idioma
- Publicado en
- 2020
- product-detail.submit-box.info.binding
- (Tapa dura)
Métodos de pago
Nadie lo ha calificado todavía.
- Título
- Thomas Arnolds
- Subtítulo
- (Deutsch/Englisch)
- Idioma
- Inglés, Alemán
- Autores
- Markus Mascher
- Editorial
- DISTANZ Verlag GmbH
- Publicado en
- 2020
- Formato
- Tapa dura
- Páginas
- 128
- ISBN10
- 3954763354
- ISBN13
- 9783954763351
- Serie
- Etiquetas
- No ficción, Arte / Cultura, Hobbies, Arquitectura, Arquitectura y urbanismo
- Descripción
- Painting about Painting. Thomas Arnolds (b. Gelsenkirchen, 1975; lives and works in Cologne) makes art that probes central concerns of painting. Trained as a stonemason and church restorer, he has built a multifaceted oeuvre encompassing both monochrome works that evince recurrent color symbolisms and a series of figurative motifs including interiors, everyday articles, and architectures. A graduate of Walter Dahn's master class, Arnolds surveys diverse subjects and visual dimensions to explore the prerequisites and possibilities of painting. Rather than aim for a strictly linear evocation and evaluation of the medium's conditions, he charts a meandering course amid its potentials. The monograph is dedicated to a synoptic presentation of diverse series of works with their inner logic as well as peculiarities and divergences. With a conversation with the artist by Markus Mascher and Carolin Scharpff-Striebich and an essay by Larissa Kikol.