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House of Incest

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  • 72 páginas
  • 3 horas de lectura

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With an introduction by Allison Pease, this new edition of House of Incest is a lyrical journey into the subconscious mind of one of the most celebrated feminist writers of the twentieth-century. Originally published in 1936,  House of Incest  is Anaïs Nin’s first work of fiction. Based on Nin’s dreams, the novel is a surrealistic look within the narrator’s subconscious as she attempts to distance herself from a series of all-consuming and often taboo desires she cannot bear to let go. The incest Nin depicts is a metaphor—a selfish love wherein a woman can appreciate only qualities in a lover that are similar to her own. Through a descriptive exploration of romances and attractions between women, between a sister and her beloved brother, and with a Christ-like man, Nin’s narrator discovers what she thinks is that a woman’s most perfect love is of herself. At first, this self-love seems ideal because it is attainable without fear and risk of heartbreak. But in time, the narrator’s chosen isolation and self-possessed anguish give way to a visceral nightmare from which she is unable to wake.

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House of Incest, Anaïs Nin

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Publicado en
1989
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Título
House of Incest
Idioma
Inglés
Autores
Anaïs Nin
Publicado en
1989
Formato
Tapa blanda
Páginas
72
ISBN10
0804001480
ISBN13
9780804001489
Serie
Título original
House of incest
Calificación
4,2 de 5
Descripción
With an introduction by Allison Pease, this new edition of House of Incest is a lyrical journey into the subconscious mind of one of the most celebrated feminist writers of the twentieth-century. Originally published in 1936,  House of Incest  is Anaïs Nin’s first work of fiction. Based on Nin’s dreams, the novel is a surrealistic look within the narrator’s subconscious as she attempts to distance herself from a series of all-consuming and often taboo desires she cannot bear to let go. The incest Nin depicts is a metaphor—a selfish love wherein a woman can appreciate only qualities in a lover that are similar to her own. Through a descriptive exploration of romances and attractions between women, between a sister and her beloved brother, and with a Christ-like man, Nin’s narrator discovers what she thinks is that a woman’s most perfect love is of herself. At first, this self-love seems ideal because it is attainable without fear and risk of heartbreak. But in time, the narrator’s chosen isolation and self-possessed anguish give way to a visceral nightmare from which she is unable to wake.