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Exploring the concept of "organic" within film, this study focuses on Béla Tarr, a key figure in the "slow cinema" movement. The author, Thorsten Botz-Bornstein, offers a unique analysis of Tarr's signature long takes and other elements, drawing connections between film and architecture. By highlighting shared organic principles, the work emphasizes how both art forms transcend traditional boundaries, providing a fresh perspective on the spatial and temporal dimensions of cinema.
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Organic Cinema, Thorsten Botz-Bornstein
- Idioma
- Publicado en
- 2017
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