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Focusing on the concept of voice as cultural evidence, the book examines how diverse perspectives challenged the communication norms of New Labour's empathetic regime. It delves into the dynamics of mainstream theatre, exploring the complexities faced by newly included voices as they navigate the institutions that seek to represent their identities. Through this lens, it highlights the significance of articulation and audibility in shaping contemporary narratives and the representation of marginalized communities.
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Voice and New Writing, 1997-2007, M. Inchley
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- Publicado en
- 2015
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