BROWN FACES GO WHITE

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The book examines the evolution of personhood in Tamil cinema, particularly following the dramatic changes in the late 20th century. It highlights the shift from traditional representations rooted in Dravidian ideology to new portrayals of heroes that reflect contemporary socio-economic and political dynamics influenced by globalization. By analyzing recent Tamil films, the author explores how these characters challenge previous norms and offer a fresh understanding of identity in a changing society.