Iranian Cinema with Psychoanalysis

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Exploring the intersection of Lacanian psychoanalysis and Iranian Shi'ite thought, this book analyzes desire and sexuality in contemporary Iranian cinema. It reveals a significant connection between post-revolutionary films and psychoanalytic theory, highlighting how these works reflect complex themes of desire within their cultural and religious contexts. The analysis offers fresh insights into the portrayal of sexuality in Iranian cinema, challenging conventional perceptions and deepening the understanding of its artistic and ideological dimensions.