The Principles and Practice of Modal Counterpoint

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Focusing on modal music from Gregorian chant to the seventeenth century, this textbook offers an in-depth exploration of modal counterpoint through a blend of composition, theory, analysis, and performance. It employs a modified species approach, enriched with numerous musical examples and historical context, to effectively connect theoretical principles with practical application. This comprehensive resource immerses students in the study of modal counterpoint while enhancing their understanding of the modal repertoire.