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The book explores the intersection of art and technology in modernism through three pivotal instances: the invention of photography, the avant-garde movements of Futurism and Constructivism, and architectural debates of the early 20th century. It delves into the philosophical responses to nihilism from Walter Benjamin, Ernst Jünger, and Martin Heidegger, highlighting their avant-garde perspectives that view art as a potential remedy for the crises of modernity.
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Nihilism, Art, Technology, Sven-Olov Wallenstein
- Idioma
- Publicado en
- 2011
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