A Carnival of Mimics

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Focusing on the theme of urban observation, this photo essay captures the intriguing presence of commercial effigies, statues, and mannequins in everyday life. Max Kozloff, a renowned photographer, reveals how these expressive figures often go unnoticed, existing in a space that straddles the line between the ordinary and the uncanny. His late-career work presents these "mimics" with an eerie beauty, showcasing their hidden significance within the urban landscape and highlighting Kozloff's artistic vision and critical insight.