Britton on Film

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Andrew Britton's film criticism, marked by its depth and humanistic approach, challenges conventional theory-based scholarship. This collection showcases his published writings, offering insightful analyses of significant Hollywood films like Meet Me in St. Louis and influential European directors such as Eisenstein and Godard. By presenting Britton's work cohesively for the first time, the book highlights his unique perspective and contributions to film studies, emphasizing the richness of his interpretations that have been overlooked in academia.