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Vera Dika delves into the reuse of images, plots, and genres in film history through diverse critical lenses. She analyzes various media, including performance and photography, alongside Punk film and mainstream cinema from America and Europe. By examining avant-garde art in relation to contemporary film practices and their historical contexts, Dika highlights how certain works resist historical influences, offering a comprehensive study of the interplay between past and present in visual storytelling.
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Recycled Culture in Contemporary Art and Film, Vera Dika
- Idioma
- Publicado en
- 2012
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