Sergei Eisensteins Montage Techniques and their Meanings in Comparison to Louis Buñuels "Un Chien Andalou"

Más información sobre el libro

The essay explores the transformative impact of Soviet revolutionary cinema in the 1930s, highlighting Sergei Eisenstein's pioneering contributions to film editing. Eisenstein aimed to use cinema as a tool for promoting political rebellion, making complex ideas accessible to a diverse audience, including those who could not read. By dramatizing events, the film sought to engage viewers and inspire action, emphasizing the power of cinema as a medium for political expression and social change.