Parámetros
- 448 páginas
- 16 horas de lectura
Más información sobre el libro
Beginning in 1994 and closing in the first months of 1998, the UK passed through a cultural moment as distinct and as celebrated as any since the war. Founded on rock music, celebrity, boom-time economics and fleeting political optimism - this was "Cool Britannia". Records sold in their millions, a new celebrity elite emerged and Tony Blair's Labour Party found itself, at long last, returned to government. Drawing on interviews from all the major bands - including Oasis, Blur, Elastica and Suede - from music journalists, record executives and those close to government, this title charts the rise and fall of the Britpop movement. John Harris was there; and in his book he argues that the high point of British music's cultural impact also signalled its effective demise - if rock stars were now friends of the government, then how could they continue to matter?
Compra de libros
The last party : Britpop, Blair and the demise of English rock, John Harris
- Idioma
- Publicado en
- 2003
- product-detail.submit-box.info.binding
- (Tapa blanda)
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- Título
- The last party : Britpop, Blair and the demise of English rock
- Idioma
- Inglés
- Autores
- John Harris
- Editorial
- Fourth Estate
- Publicado en
- 2003
- Formato
- Tapa blanda
- Páginas
- 448
- ISBN10
- 000713472x
- ISBN13
- 9780007134724
- Serie
- Etiquetas
- No ficción, Arte / Cultura, Ciencias sociales, Tema histórico, Historia, Historias reales, Biografías, Ciencias políticas & Política, Temática musical, Música, Política, Biografías de políticos, Cultura popular
- Calificación
- 4,1 de 5
- Descripción
- Beginning in 1994 and closing in the first months of 1998, the UK passed through a cultural moment as distinct and as celebrated as any since the war. Founded on rock music, celebrity, boom-time economics and fleeting political optimism - this was "Cool Britannia". Records sold in their millions, a new celebrity elite emerged and Tony Blair's Labour Party found itself, at long last, returned to government. Drawing on interviews from all the major bands - including Oasis, Blur, Elastica and Suede - from music journalists, record executives and those close to government, this title charts the rise and fall of the Britpop movement. John Harris was there; and in his book he argues that the high point of British music's cultural impact also signalled its effective demise - if rock stars were now friends of the government, then how could they continue to matter?


