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Exploring the evolution of identity concepts within visual arts, this book traces the journey from early modern views of art as personal expression to the emergence of identity politics post-WWII. It highlights the historical dominance of a binary self-other model, examining influential thinkers like Hegel and the impact of 1970s identity politics. Additionally, it serves as a political critique of contemporary assertions that society has moved beyond identity, challenging the notion of a "post-identity" era in both art and political discourse.
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Seeing Differently, Amelia Jones
- Idioma
- Publicado en
- 2012
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