Imperial Projections

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Exploring the intersection of filmmaking and colonialism, this book delves into how early films from German colonies were shaped by the need to project a positive image during a period of economic stagnation. It highlights the role of organizations like the Deutsche Kolonialgesellschaft in promoting these films, which aimed to evoke patriotism while appealing to audiences as travelers and explorers. This work offers a comprehensive analysis of colonial filmmaking during the Wilhelmine Era, shedding light on its cultural and historical significance.