Film Festivals, Ideology and Italian Art Cinema

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Exploring the intersection of ideology and film festivals, this study delves into how these events shape perceptions of art cinema and humanist values beyond Hollywood. It provides a comprehensive analysis of the European competitive film festival circuit, examining the economic, geopolitical, and cultural factors at play. Additionally, it scrutinizes the canonization of notable Italian films and introduces a novel approach to ideology critique, addressing broader themes such as gender, race, colonialism, and capitalism within the context of contemporary cinema.