Music Criticism in Nineteenth-Century France

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Focusing on the evolution of music criticism in nineteenth-century France, the book explores the impact of aesthetic and philosophical movements on the perception of composers like Bach and Beethoven. It highlights the significance of the Revue et Gazette musicale de Paris as a key publication, detailing the formation of the music canon and the rise of French musicology. Additionally, it addresses the tension between commercial interests and artistic values in the context of new music, providing a comprehensive analysis of performance practices and critical sensitivity during this era.