Orlando di Lasso's Imitation Magnificats for Counter-Reformation Munich

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Focusing on Orlando di Lasso's 101 polyphonic settings of the Magnificat, this detailed investigation by David Crook highlights the forty parody or imitation Magnificats derived from works by notable composers like Josquin and Rore. By exploring their social, historical, and liturgical contexts alongside composition theory, Crook reveals the depth and sophistication of Lasso's artistry, challenging the critical perception of his reliance on preexisting music and showcasing the significance of these liturgical texts in Renaissance music.