Can architectural art-form be designed out of construction?

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Exploring the evolving concept of "tectonic" in 19th-century architectural theory, this essay examines the contributions of Carl Boetticher, Gottfried Semper, and Heinrich Woelfflin. It critiques the contemporary view that defines tectonic solely as the "Poetics of Construction," arguing that such a narrow focus on materiality neglects architecture's potential to convey representational values and civilizing significance. The work highlights the importance of a broader understanding of architecture's role in cultural and societal contexts.