Moroccan Cinema and Social Issues

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Focusing on the sociology of the spectacle, the work explores the dynamics between the sender and receiver in cultural consumption, drawing on the theories of Bourdieu and Morin. It specifically examines women's representation in Moroccan cinema, treating it as a social phenomenon. Through interviews with industry professionals and analysis of select films, the research highlights the interplay of audience perception and cinematic portrayal, contributing to a deeper understanding of gender roles within this cultural context.