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The study delves into the 1660 duopoly that transformed elite theatre, impacting company practices, stagecraft, and the roles of actors and dramatists. By applying network and behavioral economic theories, it reveals how this economic model, despite being counterintuitive to self-interest, attracted participants and reshaped the theatrical landscape.
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The Business of English Restoration Theatre, 1660-1700, Deborah C. Payne
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- Publicado en
- 2024
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