Cameroon's film policy from 1988 to 2020

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The essay critically examines the evolution of Cameroon's cinematographic policy since 1988, highlighting the impact of a unique law amid a challenging political landscape. It discusses the neglect of cinema as an art form in favor of updates in the audiovisual sector, particularly television. By advocating for a strategic re-evaluation of the state's approach to cinematography, the work emphasizes its broader implications for cultural policy in Cameroon, aiming to reinvigorate the importance of cinema within the national cultural framework.