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Kunsthistorisches Museum

History, Architecture, Decoration

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  • 264 páginas
  • 10 horas de lectura

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The magnificent building on Viennas Ringstrasse which was opened in 1891 is at once one of the most important examples of museum architecture in Europe and an outstanding document of the Habsburg dynastys imperial self-representation. This new monograph on the history, architecture and decoration of Kunsthistorisches Museum presents the buildings wealth of painted, sculptural and architectonic decoration vividly and with methodic attention to detail. The work includes a brief review of the historical development of museums, construction of the Ringstrasse from 1857, and plans for the Kaiserforum or Imperial Forum. It is also recounts the story of the stormy relationship between the architects Gottfried Semper and Carl von Hasenauer in their quest for a common artistic statement. Extraordinary and, in large part, new photographic material makes the book an excellent practical guide and equally allows the armchair visitor to experience the museum in all its splendour.

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Kunsthistorisches Museum, Ccilia Bischoff

Idioma
Publicado en
2011
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Título
Kunsthistorisches Museum
Subtítulo
History, Architecture, Decoration
Idioma
Inglés
Publicado en
2011
Formato
Tapa dura
Páginas
264
ISBN10
3854971877
ISBN13
9783854971870
Serie
Calificación
4 de 5
Descripción
The magnificent building on Viennas Ringstrasse which was opened in 1891 is at once one of the most important examples of museum architecture in Europe and an outstanding document of the Habsburg dynastys imperial self-representation. This new monograph on the history, architecture and decoration of Kunsthistorisches Museum presents the buildings wealth of painted, sculptural and architectonic decoration vividly and with methodic attention to detail. The work includes a brief review of the historical development of museums, construction of the Ringstrasse from 1857, and plans for the Kaiserforum or Imperial Forum. It is also recounts the story of the stormy relationship between the architects Gottfried Semper and Carl von Hasenauer in their quest for a common artistic statement. Extraordinary and, in large part, new photographic material makes the book an excellent practical guide and equally allows the armchair visitor to experience the museum in all its splendour.