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Man Ray

Retrospektive/ Retrospective

Autores

  • Autores varios

Valoración del libro

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  • 136 páginas
  • 5 horas de lectura

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Dada represents artistic free-thinking. Man Ray (1890–1976), an American photographer, painter, designer, sculptor, and filmmaker, arrived in Paris in 1921, where he was inspired by the irrationality of Dada and the surreal vision of Surrealism. He created striking images that transform perceptions of reality. This volume features a rich selection of his works from the 1920s and 30s, reproduced on coated stock to preserve their dramatic impact. Ray's innovative techniques included over and underexposure, shooting through fabrics, superimposing images, and focusing on minute details. He embraced the artificiality and strangeness that arose from breaking conventional presentation modes. The photographs are organized into five categories: general subjects (still lifes, landscapes, etc.), female figures (mainly nudes), women's faces (including Gertrude Stein), celebrity portraits (Ray, Dalí, Picasso, and others), and rayographs, which are "cameraless" compositions. Ray's photographs challenge conventional aesthetics and remain significant in the art world.

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Man Ray, Autores varios

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2013
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Título
Man Ray
Subtítulo
Retrospektive/ Retrospective
Idioma
Inglés, Alemán
Editorial
Die Galerie
Publicado en
2013
Formato
Tapa dura
Páginas
136
ISBN10
392578277X
ISBN13
9783925782770
Serie
Calificación
4 de 5
Descripción
Dada represents artistic free-thinking. Man Ray (1890–1976), an American photographer, painter, designer, sculptor, and filmmaker, arrived in Paris in 1921, where he was inspired by the irrationality of Dada and the surreal vision of Surrealism. He created striking images that transform perceptions of reality. This volume features a rich selection of his works from the 1920s and 30s, reproduced on coated stock to preserve their dramatic impact. Ray's innovative techniques included over and underexposure, shooting through fabrics, superimposing images, and focusing on minute details. He embraced the artificiality and strangeness that arose from breaking conventional presentation modes. The photographs are organized into five categories: general subjects (still lifes, landscapes, etc.), female figures (mainly nudes), women's faces (including Gertrude Stein), celebrity portraits (Ray, Dalí, Picasso, and others), and rayographs, which are "cameraless" compositions. Ray's photographs challenge conventional aesthetics and remain significant in the art world.